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And it had been such a deeply moving experience and the community of people and the feeling of unity that we had had through music, and being away from the regular world was so important to me that when I'd gotten home, I had a sense of loss and longing; and I was looking for a Scottish lament, you know, that would express how I felt. And it was so powerful. (GQ) Ken Burns, the creator of the series, and John Colby served as producers of the recording. JAY UNGAR: The first scenes that we saw [of the film] were at the end of our day of recording in Brattleboro. She started getting very nervous and sort of —. And when I first heard that I was just hit right inside. SAM WATERSTON Abraham Lincoln JULIE HARRIS Mary Chesnut JASON ROBARDS Ulysses S. Grant MORGAN FREEMAN Frederick Douglass PAUL ROEBLING Joshua L. Chamberlain, etc. So, it was difficult to play it for anyone. Unable to process your request at this time. There's also some representation of spirituals, most notably "We Are Climbing Jacob's Ladder." The film's soundtrack, released on Nonesuch Records in 1990, won the Grammy Award for Best Traditional Folk Album. And I remember Ken showing us the Sullivan Ballou letter. [{"parent":{"title":"Get on the list ! So, for me—I might not play it for myself now -- but I know I'm playing it for somebody who cares about it out there; and that's what makes it possible to continue playing it—and playing it like I mean it. The Civil War was produced by Ken Burns and Ric Burns and written by Geoffrey C. Ward, Ric Burns, and Ken Burns. But it's got a life of its own. "Ashokan Farewell" by Jay Ungar Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Find album reviews, stream songs, credits and award information for The Civil War [Original TV Soundtrack] ... /Nonesuch scored one of the biggest successes of the classical specialty label's history with this soundtrack to the Ken Burns public television series The Civil War. The way he worked at that point was he would sit in the middle of a group of musicians and describe a moment from an emotional point of view in the film, and we would try to express that through the tune that we were being asked to play. And we hear stories about it every now and then. Somebody will come back from Ireland and say, "Oh, I heard it in a pub in this little town in western Ireland!" To mark the 25th anniversary of the debut of Ken Burns's acclaimed documentary The Civil War, PBS will rebroadcast the series over five consecutive nights starting Labor Day Monday, September 7. And we just sat, and we went through tune after tune, playing in all different ensembles—you know, more instruments, less instruments, different feels, different moods, different emotions. All the music is contemporary to the period; Burns even hired musicians to play instruments that are no longer made.” (GQ) Ken Burns, the creator of the series, and John Colby served as producers of the recording.Among the well-known American songs featured in The Civil War are “Battle Hymn of the Republic,” “Dixie,” “Shenandoah,” and “When Johnny Comes Marching Home.” The theme music to the series, “Ashokan Farewell”, a haunting fiddle tune, opens and closes the 30-track recording. It was really powerful. And we spent a day [recording]. There were several hundred people there, and there was a string quartet playing for the people. To celebrate Jackie Robinson Day—marking the day when, in 1947, Jackie Robinson made his major league debut with the Brooklyn Dodgers and broke the color barrier in professional baseball—the Nonesuch Journal revisits Natalie Cole's performance of "Did You See Jackie Robinson Hit That Ball?," off the original soundtrack recording to Ken Burns's landmark 1994 documentary Baseball. It was one that Ken had typed out himself and been carrying in his wallet for probably 10 or 15 years. JAY UNGAR: "Ashokan Farewell" is a tune that I wrote unintentionally, really. ","body":" Get exclusive information about NONESUCH tour dates, video premieres and special announcements ","field_newsletter_id":"14075483","field_label_list_id":"6389157","field_display_rates":"-1","field_preview_mode":"false","field_lbox_height":"","field_lbox_width":"","field_toaster_timeout":"16000","field_toaster_position":"From Bottom","field_turnkey_height":"800"}}]. Less is more seems to have been the operating theory behind the music, which makes it more enduring as a listening experience -- subtlety being a hallmark of the music -- and a strong tug on the conscience and the intellect. Jay Ungar and Molly Mason have been playing music together since 1978 and have become widely known for their work with Ken Burns and other public broadcasting favorites—Great Performances and Garrison Keillor's "Prairie Home Companion.". All Rights Reserved. And he went on and described a little more. More a multi-artist compilation than an actual "soundtrack" in the formal sense, the album is filled with low-key highlights from the series -- Jay Ungar's "Ashokan Farewell" is the most familiar of the material that was new to most listeners, but it was surrounded by fare such as "Battle Cry of Freedom," "Bonnie Blue Flag," "Dixie," "Hail Columbia," and "Battle Hymn of the Republic," which will certainly be known, at least by memory, to anyone who attended school in the United States before 1967 or so. Performed by Fiddle Fever And I receive letters every week, still, from people who have personal stories of how it's affected them. There are some full-band performances here ("Yankee Doodle," "Parade") and a few tunes featured in more than one incarnation (most notably "Marching Through Georgia"), but the overall thrust of this soundtrack is toward the small-scale and intimate in terms of sound and arrangements -- it's a far cry from the mostly upbeat Civil War song compilations that appeared in the late '50s and the start of the 1960s, in the run up to the war's centenary. And I couldn't think of one, so I just started playing, and this tune came out. Funding for the 25th Anniversary presentation of The Civil War was provided by Bank of America, The Corporation for Public Broadcasting and PBS. PBS is a 501(c)(3) not-for-profit organization. GARRISON KEILLOR Walt Whitman, etc. More information on Jay Ungar and Molly Mason is available at their website People wonder, you know, "How can you not tire of it, or still play it with feeling?" A lot of people are very deeply moved by that. We didn't have a chance to sit down and try to refine it, make it perfect. And I feel lucky that this is a tune that I've become known for, because I love it so much. And he said, "This battle has just finished, and there are several photos of the dead, just lying, you know, as far as you can see—both sides." We were at a large event in Cincinnati. Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store! So, Jacqueline nodded and then played "Battle Cry of Freedom," about 60 seconds' worth, all the way through the tune, very slowly and simply and sadly. You know, Ken saw the connection and put those together, and it's cosmic. She got done, and we couldn't speak and were all almost in tears, because with that explanation by Ken, followed by that musical version by Jacqueline, we were just devastated.

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