I watched it repeatedly when I was making my first film, Devil’s Playground, because it follows young people through this pivotal period in their lives, and I was trying to understand how you could get so much narrative, emotion and character into a film. His first TV documentary was the 90-minute Troubleman – The Last Years of Marvin Gaye, and was followed by the 26-minute 1990 documentary The Animator of Prague starring Jan Švankmajer and his works. It shows how one extremely powerful documentary can work alongside campaigning and holding demonstrations to bring about change. It’s illuminating and fascinating and it’s one of the things that inspired me to do the work that I do. When you put a camera and a film crew into a room, the observer’s paradox is almost always true – you can’t capture life because you’re in the way of it. This was a BBC documentary made by my father in the 1980s. Please share this link widely. Man with a … But these kids seem unaware of the camera and they’re behaving in a way that feels like life unfolding. I imagine that seeing it at the time you would come out feeling like you’d have to do something about the situation. Khalo Matabane at Sydney film festival, 2014. British director Lucy Walker has been Oscar-nominated twice, for Waste Land (2010) and The Tsunami and the Cherry Blossom (2011). The images of bodies floating in the water and people trying to save themselves and their neighbours have really stayed with me, and the music by jazz trumpeter Terence Blanchard – who also appears in the movie – is really memorable. In 2009, he directed the "1980" episode of Red Riding, which aired on Channel 4 in the UK. Notoriously, there’s one point where they are filming a demonstration and you hear a gunshot and you see the camera just fall down and tip over and the cameraman has been shot and killed. Franny Armstrong is the UK director of The Age of Stupid, a reflection from 2055 on climate change, McLibel, about the McDonald’s court case, and Drowned Out,, on the fight against the Narmada dam. It’s about a father and son in Long Island who were convicted of molesting children in the 1980s. Pina Bausch died just as Wenders was preparing to make a film about her, so instead he filmed her dance troupe in Germany talking about Pina and re-enacting her work. That’s intercut with interviews with scientists talking about how you can leave a signal for future civilisations not to go into this burial chamber. It was under sanctions and closed off to the US. Here you see the Rolling Stones on tour singing about sympathy for the devil, but their posturing about satanism blows back at them at the Altamont music festival. It tells the story of the Columbine high school massacre and the investigations that followed, but more than that it tells you about the National Rifle Association, about gun violence, about how schools in Michigan had become battlegrounds. You see operations on animals that are still alive, their brains being looked at while they’re still twitching around, so it’s very disturbing and upsetting. Everyone in the film is unhappy, the ones who’ve got too much stuff and the woman who can’t see her own kids.
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