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Young women here K A Nelson It was Painted on an oil canvas in 1995. Grace Cossington Smith’s Way to the Studio (1957), with the external world glimpsed through windows on to the garden­. All of the following interiors have a similar personal, but unpopulated, appearance. ENLARGE. Venice Breia Gore Taken from her Collected Poems, UWAP, 2017. Narcissus or the pond? What Now Rosalind Moran Despite, or perhaps because of this fact, I would like this stimulus to reflect an Australian sensibility, and a very particular one too. Winged and killing after Catullus Julie Maclean In selecting ‘stimulus’ for this third issue of Not Very Quiet (which I am delighted to be joining as guest-editor), I am mindful of the fact that the first two issues of the magazine have attracted submissions from all over the world. Days Drawing In Jennifer Compton signed and dated l.l., pen and ink "G. Cossington Smith 64". Pictures within pictures, views through windows and reflected in mirrors typify Cossington Smith’s works from this point. Location Not on display Further information. Intermittent Fasting with Herbs Jane Murray Bird She exhibited small paintings of interiors intermittently in the 1930s and regularly in the 1940s. Interior with wardrobe mirror Jan Dean corner, black ink "G.Cossington Smith 55". Grace Cossington Smith Interior with wardrobe mirror 1955 OA11.1967 | Collection highlight. Grace Cossington Smith Interior with wardrobe mirror 1955. Sign me up Signed Up View more Newsletters. Art Gallery of New South Wales. This device creates a dynamic tension between the surface of the painting and the illusion of space created by the diagonal forms. The mirror reflects the bed, verandah and sunny garden beyond the room, and hidden behind the mirror is the suggestion of another door leading to another part of the house. The Rink on 5th Kelli Frawley Her presence is felt in the open cupboards, the rug, books and paintings that make her room personal. Advised by a friend to increase the size of her paintings, Cossington Smith’s first large interior, Interior with verandah doors, was painted in 1954. Purchased 1967 © Estate of Grace Cossington Smith. My chief interest, I think, has always been colour, but not flat crude colour, it must be colour within colour, it has to shine; light must be in it, it is no good having heavy, dead colour … The framing device of a doorway creates an immediate illusion of depth, a feature of the work of Pierre Bonnard, whose paintings Cossington Smith would have seen on her last visit overseas, between 1948 and 1951. While painting Interior in yellow Cossington Smith fell and broke her hip. Not Very Quiet will only use this information for the purpose provided. These late interiors with their brilliant use of colour, especially yellow, represent an emphasis on the emotional aspects of colour. For more information see the WordPress Cookie Policy. In fact the interior rooms of Cossington were not particularly bright, the verandahs obstructing most of the direct sunlight that seems to permeate these paintings. The Body Lies in Meridian Jessica Conley How does Grace Cossington Smith suggest her invisible presence in this painting? Alice Jen Webb From the Attic Jane Frank Grace Cossington Smith's Interior with wardrobe mirror (1955). framed 103.0 (h) x 85.0 (w) x 5.6 (d) cm. Post was not sent - check your email addresses! Update from the Gallery regarding COVID-19. Although by this stage Cossington Smith was no longer relying on sketches to prepare her compositions, the careful placement of angled forms that touch and reflect each other indicates that the composition was carefully worked out prior to painting. Two wardrobe doors are open; one revealing a close-up of drawers within the cupboard, the other with a mirror reflecting the garden and sky outside. Oil on canvas on paperboard 91.4 x 73.7 cm board; 103 x 85 x 5.6 cm frame. Early Jacqui Malins The Salt Lick Jessica Mehta Wardrobe Doors Anne Walsh Interior with wardrobe mirror was painted in 1955 when the artist was 63. For Issue 3, guest editor Lisa Brockwell selected the following image and text. Holding up a specific and subjective mirror reflecting and refracting both the interior and exterior of the world – our inner lives as well as the physical and social world we navigate.

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