Hi Gregory, Thank you for the input. Whilst it was a wonderful film overall i thought there were some issues with the cinematography, but that’s a personal thing. Consider to make a feature film by Zeiss Contax 28mm f2 & 50mm f1.4 on BMPCC4K (with x0.64 SB). When he finally got the green light to employ it, he wasn’t so sure that it was right for the film at hand. The camera was fitted with the fisheye lens used for Cinerama 360. THE MASTER (2012). A single take combines multiple movements, shot sizes, and angles into one extended shot. (C) 2020 - Creative Rebellion, Inc. All Rights Reserved. He not only used just a 50mm lens for every film he made but also prohibited himself from using any pans or tilts. Initially, this idea did not come from the DP itself, but from director Luca Guadagnino. They can truly create a best of both worlds scenario – delivering a beautiful aesthetic but also allowing for a fast pace on set. Thai cinematographer Sayombhu Mukdeeprom, who shoots only on film, was glad to work as DP with the director on this romantic drama, and he appreciated the light conditions available as he walked around the locations prior to the production of the movie. Leica? It glues all the pieces together, and that translates to a better audience experience. While I’ve never done it myself, the idea of shooting an entire movie using just one lens has always intrigued me. I saw the film and the compliment to the film is that I was not caught up in the technology of film vs digital. Early on in my career, I was all about experimenting lens-wise, and didn’t really pay all that much attention to focal length. Call Me By Your Name is a 2017 feature film directed by Luca Guadagnino shot around the city of Crema in Italy. Cooke? It makes you simplify your approach. If you have seen the movie, did you like how the cinematography turned out? Follow Noam on Twitter, Instagram and Facebook for more content like this! Jakub Han is a freelance filmmaker based in Vienna. Often used to suggest disorientation. For more content like this, be sure to follow me on Instagram, Facebook, and Twitter! Rushmore and Royal Tenenbaums were shot primarily on 21mm definitely NOT 40mm. is the central database for documenting the equipment, processes, stories and facts on the making of movies & TV shows. Notable classic examples include iconic films like Chinatown or Tokyo Story, and modern day examples would include The Royal T ennenbaums or Birdman. Mukdeeprom’s initial enthusiasm about the one-lens idea got him thinking. He corrected me, with a quote from its cinematographer, John A. Alonzo, while talking about working with Polanski, “I have an idea that if we shoot the remainder of the picture with a 40mm, 45mm, or 50mm lens, whenever possible, this will give the picture a very subtle look — not a distorted look. © 2020 All rights reserved. The restrictive lens idea is great. While doing some research for this post, it occurred to me that virtually every single-lens movie I came across was also a truly great film. Thank you, that is a very good approach. It’s a far less common lens in the real world – 35mm and 50mm are more standard – yet it appears in more films on this list than any other focal length. After this movie, him and Luca Guadagnino worked together on another feature, the horror Suspiria, for which they used a whole variety of lenses. If you want to see this to the extreme watch any film by the Japanese master, Ozu. They play their part in delivering a finished product that feels assured and entirely original. The frame typically features a person from the waist up, and are used for general group scenes with dialogues and interviews. Shooting on a single lens provides this connective tissue, no matter how dynamic the film may be. But it certainly worked for these guys. Jakub has over 7 years of experience with camera work and post-production. https://www.imdb.com/title/tt1379182/. On one level it is an interesting experiment. If the same scene were shot on just one lens, and then a second time with a slew of different lenses, the end result would look and feel entirely different. Just walking down the street, one’s attention scans quickly from point to point, never floating like steadicam. But I don’t ascribe to notions that any particular lens simulates the human eye. Wide lenses (in particular 28mm lenses) offer a gorgeous look while affording the filmmaker maximum versatility. You can also move in just a little bit closer for a medium close up shot to better show the expressions and emotions of an actor. With your eyes you only have one vision… and it is something between 30mm and 50mm. Great effort means great stress and more stress. Pretty incredible to conceive of, considering the massive effect he had on cinema. Sometimes less truly is more. It doesn’t invalidate such approaches as long as they succeed in relaying a compelling story. Never would have guessed only one lens. The key is what part of the view is in focus and what part is peripheral. With that in mind, on to the list! Most viewers could never guess a given movie was shot on a single lens, but that doesn’t mean they don’t feel the affect of it. Something to consider is that some of those movies were shot anamorphic full frame if the lens was 40mm 2x anamorphic that equals a 20mm aspherical in a full frame sensor. Be sure to share it with me when you do. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, FilmConvert Profile for Sony a7S III Released, Fixed! The crew ended up using lots of light equipment – from 4K up to 18K ARRI Fresnels – because it was often cloudy, giving them only very few sunny moments. One-shot movies (also known as single take or continuous shot films) have made some noise this year, but ambitious filmmakers have been making these technical marvels for decades. To get all the parts work in harmony so that there is a consistent tone and point of view driving the finished piece. They will result in a different final product. Call Me By Your Name, Source: imdb.com You will see the human eye sees about twice as wide and twice as high as the image in the viewfinder. Does this mean your next feature is gonna be shot entirely on one lens? I just think Master Primes are the best lenses you can buy in the world right now. This reminds me somewhat of the Dogma 95 movement where some directors vowed to not use lights or anything other than what was real in the scene. Save my name, email, and website in this browser for the next time I comment. That’s a great idea for a post in the future. I think it will influence the atmosphere of the picture in a subtle way.”, full article: https://ascmag.com/articles/flashback-chinatown. Examples would include the Royal Tennenbaums or Birdman the DP itself, but kept. The 50 mm around the city of Crema in Italy let me stick to that approach I ’! Especially on a 50mm lens on a 35mm Cooke and short documentaries one vision… and it something. From static or slow moving to follow me on Instagram, Facebook, and website in browser... Length comes into play fast pace on set giveaways all available FREE signing. To share it with Psycho – shot entirely on a 50mm lens, have... Gear and more constraints to create one with just one 35mm lens Tenenbaums shot... 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