In fact, this FX lens is pretty similar to the last one. One factor to consider, however, is that it’s difficult to make zoom lenses that have the same image quality at a given focal length than its corresponding prime. This lens combines some of the features of the previous two lenses in terms of its range of zoom and its quality. It performs really well in low light, making it great for astrophotography, and it captures color beautifully. And while there are a lot of brands out there, Nikon NIKKOR makes the most and the best lenses for full frame Nikon cameras. It’s kind of confusing, but lower aperture numbers mean larger openings that capture more light. In fact, some might argue it’s not a true wide angle lens at all, but I still count it because it can go all the way down to 24mm, which is definitely a wide focal length. What experiences have you had with wide angle lenses? This means it is not zoomable. Since you can’t zoom in close to your subject with a wide angle lens, you can capture far more of a scene than you could with a non-wide angle lens. his length is a nice balance of wide angle drama and usability. The aperture is the number with an f/ before it. I started out with a Nikon D40, then upgraded to a D5300 with the 18-55 and 55-200 kit lenses. On the other hand, zoom lenses work across a range of focal lengths, letting you greatly vary the types of photos you can take with just one lens. ), but much higher and you may not capture the full scope of the scene. At a 24mm focal length, it’s in the middle as far as extreme verses subtle wide angle, but what really sets this lens apart is its powerful f/1.4 aperture. Sometimes fisheye photos have a dark ring around the outside, because the distortion is so extreme that the picture frame is a circle instead of a rectangle. There is a slight difference in focal length, which means this lens won’t have quite as extreme a fisheye effect as the Rokinon. However, the downside to prime lenses is you can get a lot of similar compositions with the same focal length. This makes it the best for night sky photography, but also makes it great for capturing objects in motion, or really any shot you can think of. While both of the lenses are capable of capturing the same views, this lens can let in much more light through its aperture. Definitely a good enough lens for commercial-quality photography. This is likely a lens for professional photographers. (151) 151 product ratings - Nikon Nikkor AF-S 24-85mm f/3.5-4.5 G ED IF autofocus wide angle zoom lens Just keep in mind the angle will be less wide on a DX than FX. Heck, there’s a case to be made that the single best wide-angle Nikon lens of all is the 19mm f/4 tilt-shift – though I didn’t include it above because, at … What determines the price of the lens is its build quality, whether it autofocuses, the type of glass put into it, and often its aperture. First, this is not the time for the fisheye lens unless you and the subject agree that a distorted portrait is the goal. Depending on your subject, it can be harder to mix it up and get a lot of unique photos. In general, the more jobs a single lens has, the more it might struggle to do them. That isn’t as much about the lens, but still important! But if you can get your hands on one (there’s always shopping used! The most extreme of low focal length lenses are wide angle and fisheye lenses. This is a big plus! In fact, we’re headed to the part of the list where we’ll see some more expensive lenses overall. They have so much in common that I would choose to buy only one of them, depending on what focal length best fits your work. A good wide angle lens can add drama and range to your photography. Required fields are marked *. It even does fairly well with low light astrophotography! Diagonal fisheye lenses correct for this so the distorted image takes up the whole frame. But something to keep in mind is that better apertures will always dramatically increase the price, so that’s not really a fault of this lens. Zoom lenses combine the capabilities of both. The Nikon 24mm f/1.4G is often labeled the best Nikon wide-angle lens for DSLR cameras, especially for prime lens shooters. Here’s some advice by category: One thing I really like when capturing photos of architecture with wide angle lenses is combining details from the buildings with broad, sometimes distorted views of the shape of the buildings. It might seem like a small detail on paper, but this makes a great deal of difference in the performance quality of the lenses. I find focusing tends to be way easier at such wide angles, so no autofocus doesn’t bother me much on a lens like this. Pairing a wide-angle zoom lens with your Nikon camera allows you to fill the frame with your subject. Much like the jump from f/2.8 to f/1.8, the jump to a f/1.4 aperture allows this lens to capture a great deal more light than any of the other Nikon FX wide angle lenses on this list. The D and the G you sometimes see after aperture just refers to the presence or absence of a manual aperture setting ring. This wide angle zoom lens goes between 14-24mm, making its range more similar to the Tamron. I’m amazed by some of the results you can get with this lens when you open it up wide, point it at the sky, and hit the shutter. This refers to how far the camera opens to let light in when you hit the shutter. Your email address will not be published. This does come at a slight cost of quality, however. There’s no one right answer for that, but I’ll get to that in the next question. Focal length really only tells you the kind of lens it is, it doesn’t tell you much about the quality of the lens itself. Nothing worse than ordering a new lens and finding it doesn’t fit your camera! They are both Nikon NIKKOR brand, 28mm wide angle prime lenses. While every lens on this list so far has been a prime lens, this one is a zoom. This is a nice compromise if you are interested in both extreme fisheye wide angle and more subtle wide angle effects. Lenses are not great multitaskers. This isn’t very important since the camera settings can do that for you on modern cameras. But at this point in the list, we’re only really seeing lenses with overall excellent performance. I like shooting landscapes, and have long wanted a wide angle lens but couldn't justify spending the cash for the lenses available. If you’re committed to photography as a hobby, or are a professional investing in equipment, it’s definitely a justifiable purchase. One fun thing to try with a wide angle lens is using it with a tripod and longer exposures for astrophotography. And working that way definitely has improved my own photos. And I think a big part of the fun of photography is moving around your subject to find the right distance and angle for the perfect shot. It captures stunningly beautiful wide angle images. Here I would say the wider the better so you can capture as much of the sky as possible. This can be great for artistic effect, but bad if you’re photographing a bride on her wedding day. This lens has a lot in common with the previous one, so there isn’t a ton I can add about it, but the difference in focal length changes the types of pictures you can capture with it. 20mm is one of my favorite focal lengths for architecture, because it’s wide enough to capture a lot of the building and get a small amount of artistic distortion but narrow enough to capture detail. First on our list is the granddaddy of wide angle prime lenses, and it is without a doubt the highest quality glass on this list. This particular lens is a very good zoom lens, so it will take photos on par with cheaper prime lenses. This is great for exciting and dramatic views, but not so great for portraits, because fisheye lenses tend to distort things. But for a lens that can do so many jobs, and very well at that, I think of it like an investment. Truth be told, that will work for most situations. Lower aperture numbers mean more light can be let into the camera for a given shutter speed. This is why prime lenses are considered the best, most high quality lenses, and also why high quality zoom lenses tend to be much more expensive. My advice here is pretty similar to the architecture photos, but I think you can get away with an even lower focal length for landscapes since they’re often so broad, especially if you’re on top of a mountain or cliff. When you use slower shutter speeds, you get much more light hitting the sensor. The images from this lens are sharp and clean for a lens under $400, but it is not autofocus compatible. Nothing in photography is free, so something to consider is that this lens is about $200 more expensive than the Rokinon. The more extreme the wide angle, the weirder it will make a person look. Getting both isn’t really necessary. You can produce a wide perspective that's perfect for landscapes, cityscapes and architecture. I did try to vary the brands on this list, but I kept coming back to Nikon NIKKOR for a reason. While the f/2.8 version was under $300, this one is just under $700. F/1.8 or f/1.4 all the way! This would be a good time to experiment with some of those extreme fish-eye lenses. This can be excellent if you do a lot of fieldwork or if you’re traveling and don’t want to be weighed down with a bunch of different prime lenses. This isn’t always considered a good wide angle subject, but you can take very good portraits with wide angle lenses if you are smart about your composition and choose the right lens. For aperture, though, the answer is a bit more clean-cut. Really seeing lenses with overall excellent performance this wide angle photography is wonderful and exciting, but I kept back. Is free, so if you ’ re only shooting in the next question once,. Both of the sky as possible length, makes it a highly adaptable lens to vary the focal lenses... This refers to how far the camera settings bold and dramatic for landscapes lot common... 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