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Swings by Ethel Spowers. Swings by Ethel Spowers. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Artworks of Ethel Spowers (Australian, 1890 - 1947). Gift of Rex Nan Kivell, 1953. For the exhibition Yellow Moon: He Marama Kōwhai (28 October 2017 – 28 October 2018) this work was displayed with the following label: Ethel Spowers’ Swings is full of vitality and enthusiasm. 'Swings' by Ethel Spowers (Print) In stock Image Size: 240mm x 266mm (image size does not include paper border, mount and frame). Size: 24.0 x 26.6; paper 33.0 x 35.6cm. You can change your email preferences at any time by following the link at the bottom of our newsletters. We have sent you an email confirming your request and will be in touch again soon. Orders will be available to collect using our click and collect service here https://www.facebook.com/leoframes1 Melbourne-born Ethel Spowers was one of several Australasian artists who studied in London in the late 1920s under pioneering linocut printmaker Claude Flight, whose migratory life at that time was described by Adelaide-born Dorrit Black: ‘During the summer he lives in a cave in France, a very attractive cave, apparently, but still a cave; and in the winter he comes out of his cave to teach lino-cutting to students of the Grosvenor School, and, perhaps, elsewhere.’. Ethel Spowers (1890 - 1947) Limited Edition Fine Art Prints Ethel Spowers 1890 - 1947 Ethel Spowers was born in South Yarra, Melbourne to a New Zealander father who owned a newspaper and an English mother. 46, Sydney, May 2013, 46 (colour illus.). ES 22; NOTE: this is not the AGNSW impression. THE APPROXIMATE ARRIVAL DATES ARE NOTED IN EACH PRODUCT DESCRIPTION. Helen Topliss, Modernism and Feminism Australian Women Artists 1900-1940, Sydney, 1996, 152 (colour illus.). activity perceived. It is mandatory to procure user consent prior to running these cookies on your website. Helen Campbell, Look, 'Colour, rhythm and design: Wood and lino cuts from a time of great creative vitality', pg. Printed on fine, Japanese mulberry paper in four colours, and portraying a group of airborne children in late afternoon light, it is a classic example of the work for which Spowers became well-known, with groups of children formed into dynamic, rhythmic patterns. Name. Photographs or other works published anonymously, under a pseudonym or the creator is unknown: taken or published more than 50 years ago. Posted by We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. Sign up to our newsletter to stay up to date. to help give you the best experience we can. is individually made to complement your print perfectly. OPEN 7 DAYS 10am – 5pm, Wednesday 10am – 9pm, Cnr Worcester Boulevard and Montreal Street, PO Box 2626, Ōtautahi Christchurch 8140, Aotearoa New Zealand (+64 3) 941 7300 Email, Christchurch Art Gallery Te Puna o Waiwhetū. 'Swings' by Ethel Spowers (B421) Price: £2.60 Quantity: In stock 'Passing the Ball' by Ethel Spowers (V008) Price: £2.60 Quantity: In stock Ethel Spowers Limited Edition Prints. Local pick up from our Brighton showroom FREE, Over £100 FREE,  or  £10.00 for below £100, Please make sure someone is available at the delivery address to sign for all deliveries as without a signature, we will instruct goods not be left for security reasons. Both a painter and a printmaker, she was born into one of Melbourne’s wealthiest families (her father owned one of the city’s largest newspapers), enabling her to study art in Paris, Melbourne and London, where she first learned how to make linocuts. http://collections.tepapa.govt.nz/object/39071, ACC Information Sheet G023v17 (Duration of copyright) (, Copyright Amendment (Disability Access and Other Measures) Bill 2017 (Australian Government), https://en.wikipedia.org/wiki/File:Ethel_Spowers._Swings,_1932._Linocut.jpg. No, the artist is Ethleen Palmer. About The Artist - Ethel Spowers. Renée Free, Modernism 1900-1950: prints and drawings from the collection, Sydney, 1994. This article first appeared in The Press on 12 January 2018 as 'A champion of the pioneering linocut'. For photographs, manuscripts, archives, music scores, maps, paintings, and drawings published anonymously, under a pseudonym or the creator is unknown: For photographs, manuscripts, archives, music scores, maps, paintings, and drawings (except A-C), For oral histories, music, computer-generated work and spoken word sound recordings. In the event that the delivery agent is unable to locate the delivery address or obtain a signature resulting in the goods being returned to us, we will contact you to arrange payment of further delivery charges.International delivery and UK Islands Services information. the simple joy of the swing. Ethel Louise Spowers 1890-1947 was an Australian artist associated with the Grosvenor School of Modern Art. There is no sentimentality, no intended or Helen Campbell, Colour, rhythm, design: wood & lino cuts of the 20s & 30s, 'Introduction', pg. Jill Sykes (Editor), Look, Sydney, Dec 2005-Jan 2006, 41 (colour illus.). Children were a favourite subject for Spowers, but her approach here reflects a new interest in being modern, following studies at the Grosvenor School in London under Claude Flight. Art Gallery Rd, The Domain 2000Sydney, AustraliaInfo line 1800 679 278, See opening hours and admission Ethel Spowers Wikipedia, Bonhams Fine Art Auctioneers & Valuers: auctioneers of art, pictures, collectables and motor cars. 1932". Museum of New Zealand Te Papa Tongarewa (1953-0003-326) Ethel Spowers, The Lonely Farm, 1933, linocut. ), 15. Art market auction sales from the 1970s to 2020 for 188 works by artist Ethel Louise Spowers (1890-1947), and values for over 18,000 other Australian and New Zealand artists. ETHEL SPOWERS, Merchants, Port Said 1932... thel Spowers, a painter and printmaker, was a pivotal figure during one of the most iconic and stylistically rich movements in the history of Australian art. You also have the option to opt-out of these cookies. Ethel Spowers’ Swings is full of vitality and enthusiasm. {{item.description}}. Please fill out the form below and we will get in touch to confirm the details of your enquiry. All frames are handmade to your individual order in our framing workshop. Ethel Spowers Swings Shown in 6 exhibitions Exhibition history Project 39 - Women's Imprint (1982), Art Gallery of New South Wales, Sydney, 01 Oct 1982–31 Oct 1982. If you’re interested in reproducing this artwork, you can enquire here. Please fill out the form below and we will get in touch to confirm the
 details of your enquiry. Yellow is a colour with impact – it’s time to encounter its brilliance. Steven Miller, Sydney moderns: art for a new world, 'Sex, drugs and modern art: the Sydney galleries', pg.

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